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Marketers love digital because they can track it, and then spend countless hours pouring over the data. Marketers love data because it makes for excellent graphs and great talking points in meetings. What marketers do not love is digital ad fraud, and sadly digital ad fraud is a problem with no solution in sight. Fraudulent, […]. The post Are You Hooked On Your Own Pixel Dust?
Robbie Williams, once unkindly dubbed ‘Blobby’ Williams, is a new face of WWW (Weight Watchers as was) along with Kate Hudson. Following its rebrand WW is now ‘For Every Body’ as we embark on that challenging 21st century journey towards wholesome wellness. There’s a sneak preview from RW of Anomaly’s new global campaign here.
Is 2019 the year that cross-device attribution and multi-touch attribution marketing become the norm in mobile in-app marketing efforts? We believe that in the new year, multi-touch attribution models will finally be more popular than last-click attribution model, and that mobile marketers will more firmly quantify cross-device activity in their attribution models.
Adweek’s most read article of 2018 (so far) is Rei Inamoto’s design for a new kind of agency, one that clients want and actually find useful. The former CCO of AKQA, now running his own innovation company Inamoto & Co, says it all needs to be simpler, with fewer layers, employ experienced people on terms.
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It has been, as they say, a funny old year: the Brits battling with Brexit (in which contest everybody seems to be on different sides) and, in adland, famous names including JWT, Y&R and WCRS disappearing (as individual entities anyway.) Latterly in London Jason Gonsalves has departed as Mcgarrybowen CEO (another BBH high flyer who’s.
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Photographer Jimmy Nelson’s eponymous foundation seeks to preserve indigenous peoples and cultures and JWT Amsterdam and India (guess they’re still called that) have combined to lend a hand. The quick-cutting can be oppressive but all is revealed at the end. Powerful stuff although quite how we can help (apart from donating money of course) is.
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The UK’s Channel 4, a minority station in terms of audience share but, publicly-owned, part of the UK’s broadcast establishment, is at loggerheads with Publicis Media over a 2019 sales deal. Publicis spends about £125m a year with C4 and C4, as most broadcasters do, wants to tie prices to the amount Publicis spends with.
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